Saturday, February 17, 2018

Fiona Banner | Your Plinth is My Lap



Fiona Banner
Your Plinth is My Lap
London/Dundee, UK: The Vanity Press, London, Dundee Contemporary Arts, 2002
12" vinyl and cover with etching
Edition size unknown


"For Your Plinth is My Lap, Banner recorded herself reading the account of the film onto a lacquer. At a pumped-up 14" in diameter, this lacquer is somewhat larger than the standard 12" ones used as templates in the production of LPs. It is played on a specially adapted turntable placed on top of a plinth with mirrored sides. You have to place the needle on the record yourself in order to hear it. Unlike the vinyl end product, the lacquer is fragile and is not designed for repeated playing. It will inevitably degrade as the work is listened to over and over again. As with her 23 hour recording of The Nam, Banner reads in an unrehearsed, unspectacular fashion. Banner says that there is no attempt to dramatise the script or to invest it with any particular emotional qualities. She does, nonetheless, have a distinctive style of delivery in which the absence of pacing, of pauses and silences, and of vocal dynamics results in an intense, unremitting flow of words that builds tension in the listener. The straightforward temporal succession of scenes in the film appears at first to be matched by Banner's detached descriptive account of what can be seen on the screen. If she is talking fast and leaving no gaps, then that's only because there's a lot to say before the next edit and the film won't hang around to let her catch up with the plot. Pretty soon, though, the language stream begins to assume a shape of its own. No longer merely a string of flat descriptions, dependent for their legitimacy upon the structure of the image up on the screen, the narrative develops a rhythm, a pulse that originates somewhere between the words themselves and Banner's body as she reads them. And as this rhythm asserts itself the listener finds it increasingly easy to recognise that the descriptive language is far from being anodyne. Certain features of the lighting, particular actors, specific aspects of body, clothing or background detail are repeatedly singled out as the focus of attention. Banner's response to the film starts to take over from her account of it."

- Michael Archer

Friday, February 16, 2018

Nayland Blake | Cuddle Buddy




Nayland Blake
Cuddle Buddy
Fire Island, USA: Fire Island Residency, 2015
55.9 x 57.1 x 10.2 cm.
Edition of 24

This hand-silkscreened cotton, alpaca, wool and polyester doll (with removable dress) was made in collaboration with Costello Tagliapietra, a husband-husband fashion design team known for their lumberjack style of plaid flannel shirts, suspenders, and bushy beards. The Fire Island Residency is the first residency program in the United States exclusively for LGBTQ artists. 

Wednesday, February 14, 2018

Jan Herman | General Municipal Election







Jan Herman
General Municipal Election
San Francisco, USA : Nova Broadcast Press, 1969
7" inch vinyl record
Edition size unknown

Jan Herman (1942) is an editor, publisher, author and journalist, best known for his association with Beat writers (William Burroughs, Allen Ginsberg) and Fluxus artists (Dick Higgins, Wolf Vostell) from the time that he published his own Nova Broadcast Press, and was later the editor of the Something Else Press. He also co-wrote Cut Up or Shut Up.

This single-sided seven inch single was released on November 4th, 1969 (Election day), was recorded with the assistance of poet and drummer Clark Coolidge. A collage of various political speeches, noise and static, the work is designed to be played near local polling stations.

The work is accompanied by a mock ballot.


Tuesday, February 13, 2018

Rirkrit Tiravanija | Tomorrow is another fine day




Rirkrit Tiravanija
Tomorrow is another fine day 
Hamburg, Germany: Helga Maria Klosterfelde Edition, 2015
21 x 40 cm.
Edition of 25

A newspaper hat with screenprint from the boxed various artists collection 25 Years of FUN, which also included works by John Bock, Christian Jankowski, Matt Mullican, Dan Peterman, Kay Rosen, Rosemarie Trockel, and Lawrence Weiner.

Monday, February 12, 2018

Terry Fox | Linkage





Terry Fox
Linkage
Luzern, Switzerland: Kunstmuseum Luzern, 1982
12" vinyl LP
Edition size unknown

An LP with a gatefold jacket containing a 36-page booklet and loose 6-page insert.

Side One includes excerpts from a performance at the Kunstmuseum Bern, in the artist's studio in San Francisco in 1975, and at the artist's studio in West Berlin in 1981. Side Two was recorded in the attic of the Künstlerhaus Bethanien, in May 1981.

Track listing:

SIDE ONE

1. Drumming
2. Pulling
3. Bowing
4. Beating
5. Scraping

SIDE TWO

1. Ether
2. The News
3. The Vicar And The Cowboy
4. The Bear
5. Sign Off



Sunday, February 11, 2018

Ulises Carrión | Dancing with you




Ulises Carrión
Dancing with you
Amsterdam, The Netherlands: In-Out Productions, 1973
30 pp., 20.5 x 15.5 cm., staple-bound
Edition of 100 numbered copies

While in residence at In-Out Center - the first independent artist space in Amsterdam - Ulises Carrión self-published Dancing with you and four other limited edition artist's books: Sonnet[s], Tell Me What Sort of Wallpaper Your Room Has and I Will Tell You Who You Are, amor, la palabra, and Speeds. The title consists found texts describing seven dances, without context or illustration: the waltz, quickstep, rumba, cha-cha-cha, jive, tango and slow foxtrot. The text printed is mimeographed and rubber-stamped.






Saturday, February 10, 2018

Lawrence Weiner | Under Lime Trees










Lawrence Weiner
Under Lime Trees
Zurich, Switzerland: Parkett Editions, 1994
Stamp, red ink pad in silkscreened cardboard box
Edition of 80 signed and numbered copies


One of almost a hundred Lawrence Weiner items on display last Wednesday night at the Art Gallery of Ontario's Unshelved event. From 6 to 8pm, gallery visitors were invited to interact with the presentation, which included bookworks, multiples, postcards, invitations, posters, a preparatory drawing for a wall piece and this rubber stamp (which was available for use).